Guns In Fiction Part 1

If you are a writer of mysteries, suspense or thrillers, sooner or later you will have to bring firearms into your story. Over the years I have read more mystery and suspense fiction than I could ever recall. I have, however found one thing that writers continually confuse and that is the uses and capabilities of firearms, both hand and long guns. So, I've decided to do a few posts on the various types of weapons, their operational characteristics. In this post I'd like to discuss the differences between various handguns and some of what I consider to be common misconceptions that I've seen writers have.

This posting will deal with handguns, specifically revolvers.

First, let's discuss some common terms.

Revolver: a weapon, usually a handgun, in which the ammunition (cartridge) is loaded into a cylinder. The cylinder revolves aligning the cartridge with the chamber and the firing pin.

Single Action: A type of handgun in which the shooter must manually pull back or cock the hammer to place another cartridge in the firing position. Single Action handguns can usually be identified by one of two loading mechanisms. On many there is a gate on the right side of the cylinder through which cartridges are loaded and spent casings ejected.

Double Action: A handgun in which the hammer is cocked and the cylinder rotates with each pull of the trigger. Double Action revolvers can usually be identified by the fact that the entire cylinder rolls out so the handgun can be easily loaded.

Break Action: A pistol in which the barrel and cylinder are released as a unit to allow loading.

Cartridge: Commonly misidentified as being a bullet or a shell. It is a single round of ammunition.

Bullet: Projectile portion of a cartridge.

Shell: A shotgun cartridge.

Chamber: The portion of the barrel into which an unfired cartridge (round) is either aligned (revolvers) or inserted (pistols).

There are a couple of characteristics of revolvers that movies and television seem to routinely ignore and it drives me crazy! Silencers DO NOT work on revolvers--there are too many openings through which sound can escape! Another pet peeve of mine is the absolute misconception that six-shooters have more than six cartridges in them. We all remember the B westerns and crime movies we saw as kids where the hero and the villain seem to shoot forever without having to reload. If you have a gunfight in your story count the times your characters discharge their weapons and ensure that the rounds fired do not exceed the capacity of the weapon.

For a detailed description of various types of weapons consult the ATF Guidebook - Importation & Verification of Firearms.

Ammunition, and Implements of War
In the next post I'll talk about revolvers in more detail.

FORMATTING YOUR SYNOPSIS

In my last post we discussed what a synopsis is and what it should and should not include. Now lets discuss the format of a synopsis.

A synopsis should usually be formatted like a regular manuscript. There is however some latitude here. If the agent/publisher has requested a one or three page manuscript, using double spacing will not allow you to cover a lot. I prefer to single space my synopsis, after all we are not expecting the reader to make editorial comments so a lot of white space is not needed. I have seen authors use a separate cover page for the title, author's name and contact information and the word count. Again I put this info at the top left of a single-spaced synopsis.

How long should the synopsis be? Again, refer to the agent/publisher's submission guidelines. A single page synopsis restricts you to between two hundred and five hundred words (depending on line spacing), if there are no page limitations stated in either the response to your query or in the guidelines, a general rule is to allow one page for every ten thousand words of your novel. Under no circumstances should a synopsis exceed ten pages. Remember the golden rule of writing "Say as much as possible in as few words as possible" Shorter is better. This is the place to dazzle the reader with your brilliance, not baffle them with BS.

A synopsis should always be written in present tense: "Mike and Anne investigate a series of sniper shootings in Boston." Keep paragraphs short, avoid long blocks of narrative and text.

The first time a character name appears use either ALL CAPS or boldface.  While we're on the subject of characters, do not list every character who appears in your novel, restrict your self to the main characters. No one wants to read a Dr. Zhivago type synopsis, by this I mean you have to keep a list of character names to understand who's who.

I know that by now you are probably saying "So what's the big deal?" The big deal is this, after the query letter, the synopsis may be the first thing the agent/publisher reads. Therefore keep it a marketing tool, the only difference is that instead of a large market all you have to sell to is a single person.

I would have a synopsis written and ready to go before you mail out that query...in fact many agents/publishers ask for it in the initial query package.

THE DREADED Synopsis

Many literary agents and publishers in the United States require that a synopsis (usually one page) accompany a query letter. I cannot think of anything that will make a writer shudder and curse more than being required to write a synopsis. In fact, many with whom I have spoken with don’t really know what a synopsis should be and what one should not be. So with that in mind, let’s discuss the synopsis.


If requested (I recommend you never send a literary agent or an editor more than they ask for. Unless you are very, very confident in your abilities, each additional item you include with the query letter may give the agent/editor another source of information to reject you.) include a one page synopsis of your book. Unlike the query letter, whose purpose is to peak the agent/editor’s interest, the object of the synopsis is to provide a short overview of the book’s plot and major themes. Don’t make the mistake I made several years ago of trying to summarize the entire novel in two paragraphs; this is a pitch, not an outline. Therefore you should concentrate on those elements that are most likely to attract the attention of a reader/agent/editor. Some of these are: The primary characters, the basic plot, the setting, the primary source of conflict, and the theme. Let’s briefly look at each of these.

The Primary Characters. In the query you may only have room to introduce two or three major characters. The synopsis is where you should introduce all the major players (The first time I introduce a character I always type the name in CAPs).

The Basic Plot. Identify the basic what if? Keep in mind that plot is more than the sequence of events—it’s also the reason for them.

The Setting. When and where does the story take place? If the setting is crucial to the plot, say so. However, if the setting is merely background, don’t spend a lot of time describing it. There is nothing that will turn me off quicker than a travelogue that does nothing to move the plot along.

The Primary Source of Conflict. What are the key obstacles your protagonist must overcome? From where does the conflict originate? Is it external or internal or both. Is it with another character, society or nature? Focus on the conflict that is central to the plot.

The Theme. Is there an underlying message to the story? If there is what is it that is beyond the basic plot. Are any important issues revealed as a consequence of the theme? Be careful that you don’t sound as if you’re in a pulpit; you can raise questions or ideas without giving the reader a sermon.

Remember that the synopsis is supposed to illustrate that your novel is coherent, logical, carefully thought out and well written.

In the next post I will discuss synopsis format.

Character Building

This post features a guest blogger, Wendy Koenig. Wendy is a writer, poet, editor and quilter extrordinaire. When not busy pursuing the aforementioned, she operates a used bookstore from her home in Drummond, New Brunswick, Canada. For more information on Wendy, checkout her website at http://wlkoenig.com/ where you will also find links to her books.

Character Building

Wendy L. Koenig

People are multi-faceted. They all have hopes and fears, hates, likes and failures. Yet, when we think of their personalities, we tend to key on one or two dominant traits. We describe someone we know to another person as, "He's the pushy one." Or "She's so sweet, but a bit ditsy." It's what, in our minds, makes these people individuals to us.

So, too, the characters we write are multi-faceted. When we write them as such, they all blend one into another, with no personality distinctions. Their physical attributes are different, but you could probably swap around and notice little difference. The most recent rejection letter says, "Your characters are cookie cutter." Of course, in your mind, you (as the writer) see all these "people" as distinct.

Remember the way we describe people? Define your characters the same way. Give your hero two or three traits. That's all. Give him two good and one bad (or two bad and one good, if your character is evil). Lesser characters get fewer traits.

I'm currently working on a piece where my protagonist is gentle (good) and long-suffering in patience (good), but when he's had enough, he's brutal (bad). My antagonist, by necessity is almost the opposite: arrogant (bad) and insecure (bad), which makes him a bully. However, he's eventually willing to admit that he needs the protagonist's help (good).

Most of my stories are character driven, so even though there's a "bad guy" in my story, he's not necessarily the antagonist. In this story, he's a supporting character (they get only two traits, both consistent with which side of the moral question they're on): angry and consuming. I have another supporting character who is friendly and focused.

Two more characters round out my cast. Since they're both minor characters, they only get one trait. One is trusting and the other is in-love.

It's important to remember that sometimes stories change as we write them. A minor character could suddenly become important and move into a supporting character role. If this happens, give that character one more trait. But only one; you don't want to interfere with the importance of the primary characters.

Likewise, a supporting character may fall back to supporting status. In that case, focus on just one of his chosen traits.

The most important thing to remember: the place your character plays in the hierarchy. If you lose that, then your characters will begin to show too many traits and once again, they'll become cookie cutter people with different haircuts.

There Is Hope For Thin Ice

In my last post I wrote that Level Best Books has notified those of us who have either been published in or submitted stories for their anthologies that they will no longer be publishing. The correspondence also stated that if anyone wanted to take on the project they would assist by sharing their design templates and information.

I've seen discussion on several Yahoo groups about the demise of Level Best so to end all confusion I've pasted the email I received:

Dear Writer:
Level Best Books grew out of a belief in the importance of giving voice to local writers and offering opportunities that might not otherwise be available. For seven years, we have sought out and supported New England writers of crime fiction through our annual anthologies, publicity sent to bookstores and libraries, and signing events throughout the region. Thanks to you and other writers, we have accomplished a great deal.

As we began work this year, we knew we were facing even greater challenges, and when we looked realistically at our current circumstances, we realized that we could not complete another anthology.
We are grateful to the many writers who have sent us their best work, set up their own readings and book signings, and by word of mouth spread news of our anthologies. As editors we have enjoyed working with every writer we have published. It has been a privilege to publish the work of some of the region’s best established writers. Our special joy has been discovering new writers, and encouraging beginning writers building their careers.

We regret bringing you discouraging news. This has been a gratifying experience for all of us, and we wish you well in continuing your career in crime fiction.

Finally, we would like the mystery community to know that if a group of writers is interested in continuing the project we have begun, we would be willing to share our design templates and other information, and pass the Level Best name on.

Sincerely,
Kate Flora,
for the editors

Now, the good news. All is not lost yet. I have been in contact with a publisher who is very interested in publishing the anthology and stated that if I can get him the manuscript by late September, THIN ICE can be published on time. Based upon his interest, I have assembled a team of writers to assist me in the editorial process. The problem at this time is that I have been unable to reach either Kate or Susan to discuss this and make arrangements for them to provide me with this years submissions. I'm assuming they are on vacation and incommunicado. We are still trying to reach them. Should this occur it is the intent of myself and my team to keep everything as Level Best designed it, including publishing the Al Blanchard winning story.

Stand by. I'll be posting further developments as they occur.

LEVEL BEST BOOKS CEASING PUBLICATION OF ANNUAL ANTHOLOGY

New England writers of mystery and crime fiction have just suffered a major loss. I have been notified by Kate Flora, one of Level Best Books editors, that they will not be publishing their 8th anthology Thin Ice. Kate did not go into specifics, but they aren't needed. What is important is that yet another short story market has bit the dust.

Level Best published its 1st anthology, Undertow, in 2003. Since then they have published a number of new New England writers and many who have been published. I was fortunate to have my story, Bagging The Trophy, included in the 6th, DEADFALL, available either from Level Best Books or my website.

If you are interested in ordering copies of the anthologies they are available via Level Best's web site: http://levelbestbooks.com.

I am particularly affected by this because I know the editors of this terrific anthology and consider them to be friends. Kate Flora, Susan Oleksiw, and Ruth McCarty (Skye Alexander co-edited the 1st three anthologies) have all been instrumental in my endeavors to be a writer. Susan and Skye were members of my very 1st writer group and (although I left many meetings limping) were the first professional editors (along with Paula Munier of Adams Media) to critique my writing...as much as it hurt--I learned more in the first two months than I had in the previous ten years! Kate and I served on the planning committee for four New England CrimeBake writer/reader conferences. I will miss working with her.

My Brother's Keeper Available For Kindle

My mystery novel, My Brother's Keeper is now available in Amazon's Kindle Store. To obtain a copy go to the Kindle Store and search on Hardacker. Or you can use the following URL: http://www.amazon.com/s/ref=nb_sb_noss?url=node%3D154606011&field-keywords=Hardacker&x=17&y=19

The novel is a mystery thriller and the first in my Ed Traynor series. Ed is confused when he's called to a murder scene on a remote road in New Hampshire's Rockingham County. Shortly after arriving on site his long-time friend, Sheriff 'Buck' Buchanan, asks him to identify the victim--Ed's brother John. Ed vows to find the killer and his investigation will lead him to a vicious drug lord and into the world of strip clubs. If that isn't enough, Ed must deal with his turbulent relationship with his brother, who was a suspect in a multi-million dollar rip-off of a drug dealer.

My Brother's Keeper is also available for PC and other platforms through Smashword.com. Follow the link: http://www.smashwords.com/books/view/13886

AT THE END OF THE DAY

It's my pleasure to post a guest blogger today. Stephen D. Rogers has published over 500 short stories and articles, his anthology Shot To Death is available from Amazon, Barnes & Noble, and the publisher, Mainly Murder Press.

I've been speaking at libraries about SHOT TO DEATH, my new collection of mystery short stories, and my writing "career" in general.

One of the most asked questions from the library audiences is how I deal with the frustrations: the slow response times, the non-responses, the acceptances that turn to rejections when a publication folds.

I'm not going to lie and say that dealing with setbacks is easy. Being at the receiving end of slings and arrows isn't exactly fun, and sometimes the irritations and disappointments slide into despair.

That's when it's most important to rediscover the spark. While everyone who sets pen to paper or finger to keyboard thinks of publication, the initial spark is the love of telling a story or crafting a sentence.

If I knew for certain that I would never publish again, would I still write? You bet. I wrote for mumble-mumble years before I was published, and I can't imagine ever wanting to stop.

At the end of the day, I'm a writer not because of the book or the six hundred other publications but because I write.

And sometimes that's enough.

Stephen D. Rogers

http://www.stephendrogers.com

What Has Happened To Professionalism?

Some how during the last few years professionalism in the publishing industry has taken a permanent sabbatical. Five years ago, a query would rate at least a form letter rejection, but at least you knew where you stood. In the 1990s, human resource departments started it all. Once upon a time, an applicant would forward a resume and then get a response back. Many times that response was a rejection informing the applicant that their resume had been received and although the company had no openings for a person with the applicant's skills and experience, they would keep it on file in the event something opened up. In the middle of that decade resumes went into the black hole... No response and thanks to automated attendants, you could not get through via telephone. You could of course leave a message and the party you sought would get back to you. Riiiight. Maybe when pigs fly.

About now you are asking yourself, what does this have to do with writing? Well, the virus has spread to literary agents and publishers! I believe the increase in agents who accept queries by email may not be the best thing. At least with a letter and SASE, they felt as if they had to reply (again, usually a rejection).

In the past six months I've had both an agent and a publisher disappear from the face of the Earth. I forwarded a manuscript to a publisher after spending a week to insure that it met all of their requirements (I have a binder filled with documents listing their submission standards.) in August of last year. In January, when I had heard nothing, I contacted the Acquisitions Editor via email and was informed that my novel was in the 2nd stage of the approval process and I should have an update in a week. She also implored me to have patience since she was the only person reviewing all the incoming manuscripts. Okay, I thought, at least I'll know soon. Along came April and no response or update. I sent another email to the editor...no reply. I've since sent two follow up emails, one to the editor and another to a person listed in the publisher's documentation as your contact if you ran into difficulty. You guessed it, no response.

The second case is a literary agent. She was with a well-known New York Agency and I queried her in June of 2009. I received no response. I met her at The New England Crimebake in November and learned that she had left the agency where I queried her and had started her own. I decided to give her the benefit of the doubt and made a five minute pitch to her. I should have known it would lead to nothing when she said, "I remember your query. Send me the first 50 pages..." I know agents are busy and get inundated with queries, but how long does it take to send a brief rejection via email? This agent is a member of my Friends List on Facebook and she has enough time to be on it daily leaving posts about her busy personal life...

I for one, am mad as hell about the run around agents and publishers give to writers. I spoke with numerous writers at the Crimebake who had pitched to one of the ten or so agents there. Everyone told me the agent asked to see a sample of their work. To the best of my knowledge, not a single one has entered into a contract with an agent. Today, many agents and publishers are downplaying ebooks and their potential impact on the industry. I know why... Based on my experience, to publish an eBook you don't need an agent or a publisher (you are both). They don't like eBooks because if they take off as projected, these unprofessional agents and editors will have to get real jobs, which means they will have to send resumes to HR representatives who won't reply!

First Sale!

Yesterday, I sold the first copy of my eBook, My Brother's Keeper . It's available through Smashwords.com. Maybe I'm being overly optimistic, but the book was out there for one day when it was purchased. At one book per day that's 365 books a year! Okay, I know it's not New York Times Bestseller status but it's better than what I sold last year.

More importantly, is the fact that it has motivated me to put my butt in the chair and write again. I've been in a prolonged funk and my random excuse generator was working overtime! I finally got myself in gear though and now feel that there is reason to go on there is someone out there who wants to read my work (at least one person). So thank you, whoever you are, not only for buying a copy of my book, but for getting me back on the ball!

Well, gotta run now, it's time for me to get to work on my next great masterpiece.

My First eBook Is Available

As I mentioned in my last post, I'm delving into the world of online publishing. My first eBook, a short story entitled THE LAKE, is available on line through Smashwords.com.
As you may recall, in my last post I mentioned the fact that I was obtaining eBook software on eBay. With Smashwords there is no need to purchase additional software, you upload your eBook in Microsoft Word. However, make sure that you download and follow the guidelines from theirr Style Guide. I found the procedure to be easy and straight forward. I must mention the fact that the Style Guide is written for Word 2003 and if you are a user of Word 2007 as I am, you will have to find where Word has put some of the formatting parameters.
As an added incentive, Smashwords is like a consignment shop. You pay no money up front, they take a small percentage of whatever revenue your work generates. Smashwords will also format your work for all the eBook readers such as the Kindle and the Nook and put it in format to be downloaded to a PC, among others.
So, if you want to get your work out there and start generating some cash for your writing, check out Smashwords.

To Publish or to ePublish?

The writing world is changing and doing so faster than many of us realize. The introduction of ereaders such as the Kindle, the Sony Reader, and Apple's iPad (which sold 300,000 units on its introduction day) is changing the way the public buys reading material. Readers of my generation (the Baby Boomers) grew up with and developed a love for good old traditional books. However, as Bob Dylan said over 40 years ago, the times they are a'changin'. Today we have the download, most music is sold via download to any number of MP-3 players and the new generation has grown up reading from a screen. So, you ask, what does this mean? It means the eBook is here to stay--and it may not be a bad thing.

There are any numbers of reasons why the eBook is the wave of the future, here are a few of them as I see it:

1. Readers don't care whether or not they own a book. They usually read them and either give them away or lend them (which in most instances is the same as giving it away).
2. Readers do care about price. Many pass on purchasing hardcovers and wait for a book to be released in paperback.
3. People want things now. We have become an impatient society. Who wants to wait for Amazon or our bookseller of choice to send the book via snail mail when an eBook can be downloaded in a matter of minutes.

So what does this mean for those of us who are writers? It means a wide-open market in which we will no longer be prisoners of the publishing industry which has held all the power for a long time. The writer can publish his/her own work faster, easier and at a lower cost. They have no where close to the overhead of a traditional publisher. Rather than a couple of dollars per book royalty from a conventional publisher, publishing your own eBook and uploading it to an eBook book seller, such as Amazon, will net the writer royalties of 70% of sales.

Currently, writing organizations such as MWA, don't acknowledge eBooks as being published, that however will change. A reader can purchase eBooks from MWA authors such as Lee Child from Barnes & Noble's website and Amazon. Think about how much Lee, whose best-selling Jack Reacher novels are always near the top of the New York Times Bestseller List, would be grossing if he got 70% of each novel he sells!

As for me, I'm still going to seek out a traditional publisher, but I just ordered some eBook software (it's available at a very low cost on eBay) and I'm going into the publishing business.

For a detailed look into how profitable self-publishing your own eBook can be, see J. A. Konrath's Blog (A Newbie's Guide to Publishing) and read his posts on the subject.

Latest MWA Anthology Available Now

The latest anthology sponsored by the Mystery Writers of American is now available. If you are looking for something other than the usual mystery/crime stuff this may be the anthology you've been waiting for.

Crimes by Moonlight contains 20 stories that integrate horror and supernatural with mystery. Several of the authors are friends and acquaintances of mine and that not withstanding, I found the book to be a quick and satisfying read.
Ms. Harris, by the way, is slated to be this year's guest of honor at the New England CrimeBake Writer/Reader conference for details on the conference check their web page at http://www.crimebake.org.

I'm very partial to this conference for a couple of reasons; first, I have attended the 1st eight and have seen this conference grow from a 1 day local event into a nationally recognized Friday through Sunday conference. Secondly I was a member of the planning committee for 4 years and know first hand how dedicated the members of the sponsoring organizations (the New England Chapters of MWA and Sisters in Crime) are and how hard they work to make this conference an annual success.

I'M BACK

After a way toooooo long sabbatical, I'm back! I intend to begin blogging regularly and will appreciate anyone who would like to participate as a guest blogger. I know there are many writers out there who may not want to blog on a regular basis, but have an interesting topic they may want to do a one-time blog about. If you don't feel comfortable writing a blog, email me with you topic and I may write a blog about it. My problem is that it is tough coming up with GOOD ideas on an on-going basis.