Showing posts with label crime. Show all posts
Showing posts with label crime. Show all posts

Wednesday, February 5, 2014

More On Lizzie Borden

In a previous blog, I wrote about my 5th cousin, two times removed, Lizzie Borden. Lizzie's case has mystified people for over one hundred years and there are still questions about her guilt or innocence. I wrote an article on Lizzie for the New England Chapter of the MWA web site and another article was written by Sandra Lee for the same web site. Sandra, who graciously granted me permission to reprint her article here, takes an interesting look at how the use (or misuse) of crime scene evidence may have impacted The Trial of Lizzie Borden... By the way, for those of you who may have read my previous post on Lizzie, I made a mistake...she died in 1927, not 1947.

A Nineteenth Century Scene of a Crime – A Look Back in Time

by Sandra Lee

Crime scene evidence is that which serves to provide clues about the series of events surrounding the commission of a crime. While evidence recovered at crime scenes varies in nature, amounts and probative value, it is all essential to the practice of solving the mysteries at hand. Time has no bearing on the vitality of crime scene evidence, and it is that vitality which commands the use of great care during evidence identification, documentation, collection, analysis and preservation.
During the nineteenth century these functions were all performed locally, and crime scene evidence consisted of whatever the responding authorities decided it should.
Great advancements in sciences and technology during this era granted much efficiency to the processing of crime scenes and even expanded the scope of acceptable forms of evidence. While investigators and scientists in some states fully embraced these innovations, such as the new and evolving arts of fingerprinting and ABO blood-typing, others presented barriers of prejudice and bias, and continued practicing with methods “tried and true”.
Investigators and scientists throughout the Commonwealth of Massachusetts fell into the latter category, due in part to the state’s conservative nature. Other contributing factors toward the resistance of these individuals to be forward-thinking, open-minded and highly-motivated were found on local levels and included low-paying salaries and deficiencies in education and training.
All things considered, one might best define the methods of identifying and collecting crime scene evidence in Massachusetts cities and towns during the nineteenth century as primitive. The 1892 gruesome crime scene at the Borden home in Fall River might best exemplify how the application of aged practices might generate unfavorable results.
In the Borden case a skeleton crew of underpaid, poorly-skilled sleuths failed to immediately secure the scene and a head-to-toe search of the premises wasn’t conducted for days to follow. This ineptitude left much room for the contamination, destruction and/or removal of any evidence not yet collected.
Body temperatures, levels of food digestion and stages of blood drying and coagulation were used to determine the times of death of the victims. This data was gathered with the use of nothing more than human hands and the findings were applied to an ancient suggested set of standards. Clearly, a clinical thermometer would have provided more accurate readings of the body temperatures while the knowledge of, or willingness to recognize new literature available at the time would have altered other findings. The latest studies showed that each of these postmortem events would occur on different levels depending upon human individuality and upon circumstances. Also based on the results of these studies were newly introduced numbers proven to be the standard.
Performances in the lab at a local medical school demonstrated an even broader scope of deficiency in crime scene investigating. Among the evidence ultimately collected were the stomachs of the victims and a hatchet. The stomach linings were searched for scar tissue caused by poisoning because the victims were allegedly ill prior to the murders. Because the hatchet was believed to have caused the fractures in the victims’ skulls, it was studied for the presence of blood. The single instrument used to perform these searches, a magnifying glass, detected no scar tissue, nor did it determine whether a substance found on the hatchet was rust or blood. Some innovative technological and scientific alternatives might have provided more certainty about the evidentiary findings. The spectroscope would have offered significantly more magnification while the introduction of certain metals and minerals to the stomach contents may have detected the presence of poison. Similarly, the simple act of infusing water or fire with the matter on the hatchet would have proven the nature of the substance.
The discounted evidence in the Borden case arguably contained the most probative value. It consisted of the prime suspect, Lizzie’s own damning words. Spoken to a rookie investigator who failed to inform Lizzie of her rights before tuning in, the evidence was deemed inadmissible by the court based on constitutional grounds. Had a more seasoned, forward-thinking investigator interviewed Lizzie, she might have been informed of her rights.
Additionally, the court excluded a local druggist’s statement that Lizzie attempted to buy poison in his store on the day before the murders occurred. Lizzie’s counsel argued that the idea of poisoning was unrelated to the nature of the crimes actually committed. Had the scientist at the lab possessed the knowledge of and willingness to rely upon modern techniques, the druggist’s statement may have been utilized, and Lizzie’s intentions revealed.
Lizzie Borden was acquitted of the murders of her father and stepmother in June of 1893 after just over an hour of deliberation by a twelve-man jury.
Lizzie was exonerated of the crimes based on the evidence both presented and not presented at trial. All evidence in this case was a product of contemporary practices which consisted of widely varying and inconsistent crime scene investigation methods. Many believe a lack of application of common standards based on the best of accepted practices at the time in the gathering and processing of crime scene evidence may have contributed to a guilty person getting away with murder.

 

Tuesday, December 3, 2013

One of My Famous Ancesters: Lizzie Borden



Lizzie Borden took an axe
And gave her mother forty whacks
When she saw what she had done
She gave her father forty-one

The poem, however inaccurate (she was found not guilty, only nineteen blows were counted, the nature of the murder weapon—thought to be a hatchet; not an axe—and the fact that Abby Borden was her step-mother) has kept Lizzie Borden (my 5th cousin, twice removed) a part of Americana since the murders of her father and her step-mother, Abby Durfee Gray Borden, on August 4, 1892 in Fall River, Massachusetts. But few know little more than the poem. So who was Lizzie Borden and why she was considered the prime suspect in a crime for which she was found not guilty on June 20, 1893.

Lizzie Andrew Borden (1860 – 1927) was the youngest of three daughters of Andrew Jackson Borden and Sarah Anthony Morse. Her mother died shortly after Lizzie’s birth and Andrew married Abby Durfee Gray, who took over the task of raising his two daughters (Lizzie had an older sister Emma Lenora Borden and there was a middle sister who died at the age of two) and running the household. The Bordens were solid upper-middle class and nowhere near the richest family in Fall River as is generally thought. Lizzie grew up in an atmosphere of idle, not gentile living. She was never to hold a job, although she did volunteer work for church missions, temperance unions and various charities.

Andrew Borden was known to be stingy with a Scrooge-like attitude toward his customers, tenants, and those who borrowed money from him. During her trial, the prosecution attempted to depict Lizzie as a person who would not only kill for an inheritance, but would do so the avenge years of deprivation (both material and psychological) she had endured in her father’s household. There was evidence of friction between the sisters and their father over the way he catered to Abby’s relatives (or so the girls believed). It was during this time that Lizzie stopped calling Abby mother and began calling her “Mrs. Borden”.

Lizzie was considered a suspect in the killings by a number of police officers from the moment they were notified. At the time of the killings only Lizzie, Bridget Sullivan (the Borden’s domestic servant) and the victims were home. It has been thought that Lizzie murdered her step-mother while Bridget was outside the house washing windows. She later told her father that Abby had received a note about a sick friend and she was out of the house. She then encouraged her father to take a nap. Bridget, finished with her chores, went to her room to take a nap. Lizzie said that she then went out to the barn on an errand. According to Lizzie, she returned to the house after hearing a groan, a scraping noise or a call of distress (she related several contradictory stories to the police). Eventually she settled on the story that she went to check on her father and found him slain, his head mutilated.

On August 11th after appearing before an inquest she was arrested for the murders. In December a Grand Jury handed down three indictments against Lizzie Borden: one for the murder of her father, one for the murder of her step-mother, and one for the murder of both. She was removed to a Taunton jail where she remained until her trial in June 1893.

A jury of twelve, mostly Republican men, average age fifty-three, found her not guilty on all counts.

At first public opinion about the verdict was favorable—possibly because it was generally believed that Lizzie would leave Fall River and live someplace where she was less known. She did not, she returned to her home and remained in the city. The absence of closure about the murders caused Lizzie’s and Emma’s position in society to fall. The sisters had become wealthy women because Abby died before Andrew, the step-mother’s family was deprived of her estate and, as a legal matter, it fell into the sisters’s possession. The final blow to her status came when Lizzie (who had a history of stealing) was accused of shoplifting two paintings from a Providence, Rhode Island company. A warrant was never served and the matter was settled privately and Lizzie’s reputation was diminished and she became more isolated.

In 1905, Emma moved out with no public explanation. There is speculation that Emma learned something about the 1892 murders. The sisters never saw nor spoke with each other again.

Lizzie Andrew Borden spent the last twenty-two years of her life an aging spinster surrounded by faithful servants who have never broken their silence. She was quite generous with their salaries and even purchased a house as a residence for some of them.

Lizzie died on June 1, 1927, after suffering complications after a gall bladder operation. Emma died nine days later in Newmarket, New Hampshire. Neither had begotten children so the Andrew Borden branch of the family (the Borden family includes such well-know people as Sir Winston Churchill and Marilyn Monroe) came to an end.

Lizzie’s infamous name has endured and become iconic, spawning numerous books and at least one movie, starring Elizabeth Montgomery as Lizzie. Whether or not she committed the murders the unanswered questions continue to fascinate mystery lovers throughout the world.

In a subsequent blog, I'll look closely at Lizzie's trial and why it is still considered to be of great importance.
For more information about Lizzie visit http://www.thelizziebordencollection.com

Wednesday, September 28, 2011

Getting Back On Track

As anyone who follows my blog knows, I've been away for a while, almost six months to be exact. There are a number of reasons why I haven't blogged since last March...but they are all really excuses and we all know that excuses always sound good to the person making them. Let's suffice to say, it's darned hard to come up with things to blog about on a continual basis.

During my Blogging Sabbatical, I did however, publish my novel Elephant Valley as an eBook. Available through Barnes and Noble as well as Smashwords.com . It's a novel loosely based on my experiences as a helicopter machine-gunner in Vietnam. Although it's not yet available through Amazon, Smashwords does have a Kindle-friendly version in .mobi format as well as the popular Adobe Epub format used by many e-readers.

I have also published several short stories during this period. Among them are Net Profit (co-authored with a long-time friend, Paulette Littlefield Clark) in The Storyteller Magazine (January/February/March 2011 issue) and several others in Breathe; Volume II an anthology of short stories and poetry by northern Maine writers.
The New England CrimeBake is coming up on November 11 through 13. If you haven't registered, it may be too late. The conference limits registration to about 250 attendees and those slots filled withing three weeks of registration opening. There are however, always cancellations so you may want to get on the Waiting List.

I'm also closing in on the completion of The Black Orchid, the second Ed Traynor novel (the first, My Brother's Keeper is available in eBook format from Barnes and Noble, Smashwords and Amazon .

Sunday, September 5, 2010

Guns In Fiction Part 1

If you are a writer of mysteries, suspense or thrillers, sooner or later you will have to bring firearms into your story. Over the years I have read more mystery and suspense fiction than I could ever recall. I have, however found one thing that writers continually confuse and that is the uses and capabilities of firearms, both hand and long guns. So, I've decided to do a few posts on the various types of weapons, their operational characteristics. In this post I'd like to discuss the differences between various handguns and some of what I consider to be common misconceptions that I've seen writers have.

This posting will deal with handguns, specifically revolvers.

First, let's discuss some common terms.

Revolver: a weapon, usually a handgun, in which the ammunition (cartridge) is loaded into a cylinder. The cylinder revolves aligning the cartridge with the chamber and the firing pin.


Single Action: A type of handgun in which the shooter must manually pull back or cock the hammer to place another cartridge in the firing position. Single Action handguns can usually be identified by one of two loading mechanisms. On many there is a gate on the right side of the cylinder through which cartridges are loaded and spent casings ejected.

Double Action: A handgun in which the hammer is cocked and the cylinder rotates with each pull of the trigger. Double Action revolvers can usually be identified by the fact that the entire cylinder rolls out so the handgun can be easily loaded.

Break Action: A pistol in which the barrel and cylinder are released as a unit to allow loading.


Cartridge: Commonly misidentified as being a bullet or a shell. It is a single round of ammunition.
Bullet: Projectile portion of a cartridge.

Shell: A shotgun cartridge.

Chamber: The portion of the barrel into which an unfired cartridge (round) is either aligned (revolvers) or inserted (pistols).


There are a couple of characteristics of revolvers that movies and television seem to routinely ignore and it drives me crazy! Silencers DO NOT work on revolvers--there are too many openings through which sound can escape! Another pet peeve of mine is the absolute misconception that six-shooters have more than six cartridges in them. We all remember the B westerns and crime movies we saw as kids where the hero and the villain seem to shoot forever without having to reload. If you have a gunfight in your story count the times your characters discharge their weapons and ensure that the rounds fired do not exceed the capacity of the weapon.

For a detailed description of various types of weapons consult the ATF Guidebook - Importation & Verification of Firearms.

Ammunition, and Implements of War
In the next post I'll talk about revolvers in more detail.

Monday, June 21, 2010

LEVEL BEST BOOKS CEASING PUBLICATION OF ANNUAL ANTHOLOGY

New England writers of mystery and crime fiction have just suffered a major loss. I have been notified by Kate Flora, one of Level Best Books editors, that they will not be publishing their 8th anthology Thin Ice. Kate did not go into specifics, but they aren't needed. What is important is that yet another short story market has bit the dust.

Level Best published its 1st anthology, Undertow, in 2003. Since then they have published a number of new New England writers and many who have been published. I was fortunate to have my story, Bagging The Trophy, included in the 6th, DEADFALL, available either from Level Best Books or my website.

If you are interested in ordering copies of the anthologies they are available via Level Best's web site: http://levelbestbooks.com.

I am particularly affected by this because I know the editors of this terrific anthology and consider them to be friends. Kate Flora, Susan Oleksiw, and Ruth McCarty (Skye Alexander co-edited the 1st three anthologies) have all been instrumental in my endeavors to be a writer. Susan and Skye were members of my very 1st writer group and (although I left many meetings limping) were the first professional editors (along with Paula Munier of Adams Media) to critique my writing...as much as it hurt--I learned more in the first two months than I had in the previous ten years! Kate and I served on the planning committee for four New England CrimeBake writer/reader conferences. I will miss working with her.

Friday, May 14, 2010

My Brother's Keeper Available For Kindle


My mystery novel, My Brother's Keeper is now available in Amazon's Kindle Store. To obtain a copy go to the Kindle Store and search on Hardacker. Or you can use the following URL: http://www.amazon.com/s/ref=nb_sb_noss?url=node%3D154606011&field-keywords=Hardacker&x=17&y=19

The novel is a mystery thriller and the first in my Ed Traynor series. Ed is confused when he's called to a murder scene on a remote road in New Hampshire's Rockingham County. Shortly after arriving on site his long-time friend, Sheriff 'Buck' Buchanan, asks him to identify the victim--Ed's brother John. Ed vows to find the killer and his investigation will lead him to a vicious drug lord and into the world of strip clubs. If that isn't enough, Ed must deal with his turbulent relationship with his brother, who was a suspect in a multi-million dollar rip-off of a drug dealer.

My Brother's Keeper
is also available for PC and other platforms through Smashword.com. Follow the link: http://www.smashwords.com/books/view/13886

Monday, April 12, 2010

Latest MWA Anthology Available Now


The latest anthology sponsored by the Mystery Writers of American is now available. If you are looking for something other than the usual mystery/crime stuff this may be the anthology you've been waiting for.

Crimes by Moonlight
contains 20 stories that integrate horror and supernatural with mystery. Several of the authors are friends and acquaintances of mine and that not withstanding, I found the book to be a quick and satisfying read.
Ms. Harris, by the way, is slated to be this year's guest of honor at the New England CrimeBake Writer/Reader conference for details on the conference check their web page at http://www.crimebake.org.

I'm very partial to this conference for a couple of reasons; first, I have attended the 1st eight and have seen this conference grow from a 1 day local event into a nationally recognized Friday through Sunday conference. Secondly I was a member of the planning committee for 4 years and know first hand how dedicated the members of the sponsoring organizations (the New England Chapters of MWA and Sisters in Crime) are and how hard they work to make this conference an annual success.

Thursday, June 18, 2009

Another DEADFALL Event


In the event you were unable to attend the events in Exeter, NH or Freeport, ME, several of the DEADFALL writers will be appearing at the York, ME Public Library at 7 PM on July 14, 2009. It's a great chance to get some of us to sign our stories...if you haven't bought a copy of the anthology yet, don't worry, there will be copies available for purchase.

Sunday, February 1, 2009

Breaking News


Due to an unexpected turn in my personal life, I'll be relocating back to northern Maine. As a result, blog updates will be sporatic at best through the month of February. I promise that by March 1st I'll be back.

Monday, January 19, 2009

Over The Fence: Plot Continued


"How's it going?" Larry asked.

"Okay, just finished working on a scene in my latest novel."

"The last time we chatted you mentioned scenes. I thought scenes were something you see in a movie."

I sipped from my can of soda. "Actually novels, and to a smaller extent short stories, are full of scenes. I think Robert McKee uses the best definition of scene in his book, STORY. He defined a scene as: ...an action through conflict in more or less continuous time and space that turns the value-charged condition of a character's life on at least one value with a degree of perceptible significance. Ideally, every scene is a STORY EVENT."

"That's a long definition," Larry said, "can you simplify it a bit?"

"Sure, a scene is is a sequence of events that seem to happen as if the reader were watching and listening to it happen; it's built on talk and action."

"I see, so a scene is like a chapter?"

"Nope. Although there are a number of popular writers, James Patterson comes to mind, who make each and every scene a chapter; others may have several scenes in a single chapter. Chapters are just a way to divide a book into pieces. Think of a book, any book in which there are no chapter breaks. "

"I don't think I've ever come across one," Larry said.

"Stephen King used no chapter breaks in Dolores Claiborne. I believe if any one but a writer of his stature had done it the reader would struggle to finish the book. How many times have you said, I'm going to finish this chapter and call it a night? We'll get into chapters later when we discuss structure of your novel."

"Okay, getting back to scene," Larry said, "a scene is a story within the story?"

"That may or may not be true," I said, "a scene isn't random; it must have a meaning. The true measure of whether or not a scene belongs in the book is to ask yourself one simple question: Does this scene move the story forward? If it doesn't scratch it."

"Hmmmm, there's a lot to this writing stuff that I've never thought about."

I glanced at the sky and saw the sun was hovering on the western horizon. "See you tomorrow? We'll talk some more about structure."

"Wouldn't miss it."

Friday, January 16, 2009

Over The Fence: Plot


I saw my neighbor, Larry, waiting at the fence and walked over to him.

"Hey," he said, "I wondered if you'd forgotten that we were supposed to meet."

"Nope, if I recall we're supposed to discuss plot."

"That's right."

"I suppose we should start by defining what a plot is."

He nodded.

"Not to make it overly simplistic, it's what happens in the story."

"That's it?"

"Not really. In truth the plot is built from a number of significant events. In your mystery now, what is the significant event?"

"The crime? I'm thinking making it a murder mystery."

"That's a good start, most mysteries are about murder. Robbery and caper novels seem to be more thriller than mystery."

Larry's brow furled. "I thought they were the same thing."

"Similar but different. Both usually start with a crime. The difference is that in thriller, everyone knows who did it, or is planning to do it. The plot then becomes, how do we stop him or her. Mystery, on the other hand, is a 'whodunnit'. We, neither the reader nor the protaganist, know who did the dastardly deed. The plot is how we find out who did it. Plots are really a matter of cause and effect."

"I get it," Larry said, "like in physics for every action there is an equal and opposite reaction."

"That's it. Let's leave it like this; plot is the things your characters do, feel, or say that make a difference to what follows the cause."

"Thanks, I'll see what I can do about coming up with a basic plot for my novel."

"Do that, then we can discuss how to utilize scenes to bring the plot to life."

Wednesday, January 14, 2009

Book Review: Heat Lightning by John Sandford

The best-selling author of the Lucas Davenport Prey novels has returned with his second book featuring Detective Virgil Flowers.
Flowers is called up to investigate a series of killings that appear to be the work of the same killer. He determines that all of the victims had a common link; they served in Vietnam in the turbulent period before the U. S. pullout and eventual fall of the South Vietnamese govenment.
I found the book to be as fast paced and absorbing as Sanford's prior works and in many ways find Flowers to be a much more interesting protaganist than Lucas Davenport. I highly recommend this for lovers of mystery/thriller novels.
Mystery-Man

Monday, January 12, 2009

DEADFALL Reviewed


Level Best Books' sixth annual anthology of crime stories by New England writers has been given a glowing review by Rae Francoeur in the Arts Section of Wicked Local , a local distributed newspaper in Rockport, Massachusetts.

The review states in part: "Deadfall: Crime Stories by New England Writers" is a veritable cache of inventive ways to die, offbeat characters that kill, and crime fighters who thought they'd seen it all." The review goes on to mention several of the anthology's stories, including: I found myself laughing a number of times. "Bagging the Trophy" by Vaughn C. Hardacker is a lively, funny story about a lawyer with the attorney general's office who's trying to get a suspected killer to implicate himself.

To read the review in its entirety click here to go to Wicked Local's website.

Monday, September 29, 2008

Level Best to launch annual anthology at New England Crime Bake

The New England Crime Bake, writer/reader conference will be upon us soon, November 14 through 16. Among the many events being offered, Level Best Books will be launching its latest annual anthology of crime stories by New England authors. This year's anthology is entitled DEADFALL and includes my story, Bagging The Trophy. Also included will be stories by such well known New England writers as Stephen Rogers and the as yet unannounced winner of Crime Bake's annual Al Blanchard Award. DEADFALL will be available for purchase at the conference.



This year's keynote at the conference is Harlan Coburn and will include a sneak preview of the film based on his novel, TELL NO ONE. Serious writers may also want to check out the Master Classes being taught by accomplished New England authors: Hallie Ephron, Peter Abrahams and Gary Braver.



Registration is open to any and all who are interested in the mystery/thriller/true crime genres; but don't delay as the master classes are filling up and the early bird discount expires on October 1. You can register by going to http://crimebake.org/.

Tuesday, February 27, 2007

Hey Writers

Welcome.

The intent of this blog is to discuss and comment on all things related to writing.

Let me introduce myself. Obviously, writing is my passion. I have published a number of short pieces and am shopping a novel at this time. I live in New England and am active in the New England writing community. I try not to restrict my writing to a particular genre, but always seem to migrate back to mystery/thriller.

I am a member of the Mystery Writers of America and serve on the board of director of the New England chapter. I'm on the planning committee for the Mystery Writers of America New England's (MWANE) annual writer conference, the New England Crimebake (if you haven't attended one you should. It is becoming the premier conference in the northeast and focuses on the craft--regardless of genre).

Look here for articles and items of interest to writers, including any number of guest bloggers.

So, welcome in and feel free to comment.

Mysteryman